“The Advent,” Pennsylvania Literary Journal, Vol. IV, No. 1, “New Formalism of/on The Contemporary” (spring 2012): 87-92. An excerpt from my novel The Abdication (New York: Contra Mundum Press, 2012).
“Circulus Vitiosus Diabolus: On Temporality and Nihilism in Satantango,” Pennsylvania Literary Journal, Vol. IV, No. 1, “New Formalism of/on The Contemporary” (spring 2012): 73-86.
"Exigent Demands: Discipleship Examined," Rainer J. Hanshe in conversation with Audrey Gray, The Brooklyn Rail (June 2011): 65. An interview.
"From the Choir Invisible to the Cosmos: James Purdy or the Return of an Unseen Star," Hyperion: On the Future of Aesthetics, Vol. VI, No. 1 (March 2011): 11-28. An introduction to a special issue devoted to James Purdy on the second anniversary of his death.
"From the Choir Invisible to the Cosmos: James Purdy or the Return of an Unseen Star," Hyperion: On the Future of Aesthetics, Vol. VI, No. 1 (March 2011): 11-28. An introduction to a special issue devoted to James Purdy on the second anniversary of his death.
"Ready All the Time Like Gunpowder: An Interview with Richard Hundley," Hyperion: On the Future of Aesthetics, Vol. VI, No. 1 (March 2011): 159-185.
"The Threat to Artistic Freedom in Hungary," Hyperion: On the Future of Aesthetics, Special Section (February 2011). Co-written with Mark Daniel Cohen.
"The Necessity of Illusion," introduction to Yunus Tuncel, Towards a Genealogy of Spectacle (Roskilde, Denmark: EyeCorner Press, 2011), 11-33.
"Renati the King: A Phantasmagoric Tragi-Comedy," introduction to Gian DiDonna, Renati the King: A Play (Roskilde, Denmark: EyeCorner Press, 2010), 11-18.
"Agonistic Ethics: On the Hospitality of Warriors," presented at The Chances of Cultural Differences – the Ethics, Poetics and Politics of Hospitality, Pécs Cultural Centre and the Sensus for Advanced Studies, Pécs Hungary (November 2010).
"Transfiguring Melancholy," Hyperion: On the Future of Aesthetics, Vol. V, No. 2 (November 2010): 113-117. An introduction to Charlotte Mandell's translation of Jean Starobinski's Melancholy in the Mirror: Three Readings of Baudelaire.
“The Muffled Lips of Apollo,” Hyperion: On the Future of Aesthetics, Vol. V, No. 1 (Spring 2010): 93. A poem.
“Cruelty, Beauty, and the Tragic Art of Howard Barker: On the occasion of theatre minima and the Martin E. Segal Theatre Center’s Celebration,” Hyperion: On the Future of Aesthetics, Vol. V, No. 1 (Spring 2010): 11-16. An introduction to a special section on Howard Barker.
“Not a bad metaphysics, eh? An interview with Turkish poet and translator Oruç Aruoba,” The Agonist, Vol. III, No. 1 (Spring 2010): 28-47. Conducted with Yunus Tuncel.
“Invisibly Revolving— —Inaudibly Revolving: The Riddle of the Double Gedankenstrich,” The Agonist, Vol. III, No. 1 (Spring 2010): 7-26.
“The Crisis of Cognition: On Memory and Perception in Chris Marker’s The Hollow Men. Chris Marker, “Quelle heure est-elle?” Chris Marker: Notes from the Era of Imperfect Memory, Winter 2009.
Introduction to Katja Brunkhorst, “Abandoned on the Mountains of the Heart,” Hyperion: On the Future of Aesthetics, Vol. IV, No. 9 (April 2009): 85-89.
"The Gospel of a Heretic: The Sacred Atheism of Pier Paolo Pasolini," Hyperion: On the Future of Aesthetics, Vol. III, No. 2 (April 2008). An interview with Roberto Chiesi. In Italian.
"Stoic Nihilism & the Beauty of Oblivion: A Meditation on Beckett's Happy Days," Hyperion: On the Future of Aesthetics, Vol. III, No. 1 (February 2008).
"Wrestling with Nature: The Obscuring Mirror & the Dream of True Perception: Van Gogh and Expressionism," Hyperion: On the Future of Aesthetics, Vol. II, No. 3 (October 2007).
"Writing the Apocalypse: Voicing Silence Through Time: Tadeusz Rózewicz, new poems," Hyperion: On the Future of Aesthetics, Vol. II, No. 2 (June 2007).
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